LYDLANDSKABER (SOUNDSCAPES)
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A series of 4 sound landscapes: Lydlandskaber (Soundscapes), digital prints on canvas (30 x 30 cm).
The images are composed of sound and photo recordings from four different locations in Denmark. The graphical representations of the bird sounds were created using the app BirdNET.
The work was displayed in the group exhibition FUGL 2025 (BIRD 2025) at Johannes Larsen Museet, Kerteminde, Denmark.
SCANDINAVIAN SPRING COLLECTION
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Scandinavian Spring, a collection of forest fashion for women (mixed materials: cotton and chiffon).
The patterns of the garments are created digitally on spot in the forest, followed by digital printing on textiles, which are then sewn into garments on demand, 2022 onwards.
Each garment is accompanied by a booklet.
Instead of aiming for a representation of nature (e.g. landscape painting or photography), the work is meant to be an activating link between "the viewer/wearer" and nature. The work reflects a desire to reconnect with nature, in this case a typical spring beech forest in Denmark.
The clothes are feminine and not what we traditionally consider as outdoor garments. Instead they aim to let the wearer adapt and honour the local surroundings and to experience a different kind of natural understanding.
👉🏼 CATWALK
SELFIE SACRIFICES
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A series of landscapes: Selfie Sacrifices, digital prints on canvas (50 x 50 cm).
Each work functions as a QR code, which is linked to locations on Google Earth. The series of works is a remake of the digital map Selfie Sacrifices exhibited at KP Digital 22, Kunsthal Aarhus, 2022.
MADE IN MACRITCHIE
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A collection of garments made for walking in MacRitchie Nature Reserve, a tropical rainforest in Singapore.
The patterns of the garments are created digitally on spot in the forest, followed by digital printing on textiles, which are then sewn into garments on demand.
This "forest fashion outfit" asks the wearer to explore issues of (be)longing, how to become a local and adapt, strangeness and perception of nature and self.
The garments have been used and exhibited in various form in Forest Fantasies and Other Forestic Affairs at L'Observatoire, 2019, MacRitchie Me: Turning to Bewilder(ed) in the group exhibition Maybe at Institute of Contemporary Art at LASALLE College of the Arts, 2017, MacRitchie Me in the group exhibition Ephemera at the Substation, Singapore, 2016, and at range of art events and walks in Singapore, 2016-23.
CASH & CARRY CANVASES
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A series of landscape paintings made of costumized recycled landscape paintings and textiles. Small "consumer information" booklets were attached to the paintings.
These paintings play on conventional ideas of art, consumption and sustainability. They were exhibited as part of the Open Multi-Stakeholder Event on CSR-driven Innovation at Erhvervsstyrelsen,
Copenhagen, 2008.
THESE PAINTINGS ARE MADE FOR WALKING
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Acrylic on shoe soles, exhibited in the group exhibition Money without Limits at Øksnehallen, Copenhagen, 2003.
Botanical flower paintings are often associated with women's art, seen as a 'feminine' leisure activity with origins in Victorian culture. In this work, the paintings are made to be worn - and worn away - bringing a touch of 'flower power' to wearer of the typically masculine business shoes.
ANIMAL DISPERSAL
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Jewellery made of seeds, plastic, precious stones and folk phrases.
Exhibited as part of Wild Wood Woman and are now dispersed.
OUTfit
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Evolutionary fashion made by natural selection.